But not everything is about money. Many jewellery objects, such as brooches, clasps, pins and buckles, originated as strictly functional items later evolving into decorative items as clothing itself grew, and decreased the functional need for clothing support.Do you want to learn more? Visit Jeweler Near Me
Jewellery may also be used mainly for symbolic reasons – to demonstrate community affiliation, such as wearing the Christian crucifix or David’s Jewish Star, or rank, such as wearing office chains, or the often-Western tradition of married people wearing a wedding ring. Similar meanings have been applied to different elements and types in different times of history and in different parts of the world. For eg, in Victorian times, a snake came to mean “Eternity” as Prince Albert gave a snake-like engagement ring to Queen Victoria. So where we see a fairly small piece of jewellery today as quaint, decorative, fascinating or important, the original owner might have seen the same piece a hundred and fifty years ago to have had a very different and deeper significance.
Jewellery may be thought of as providing powers of protection in the past, and in some cases in the present, but to a much smaller degree, such as in the form of amulets and magical wards. It is popular in some cultures to wear amulets and devotional medals to protect or ward off evil; these can take the form of symbols (such as the ankh), stones, plants, animals, body parts (such as the Khamsa), or glyphs in Islamic art, such as stylized versions of the Throne Verse.
While artistic display from the very beginning was obviously a feature of jewellery, the other functions mentioned above seemed to take precedence. However, there has been a general drift in recent times towards the wearing of jewellery being more simply about the show of fashion taste, style and knowledge. With the work of such masters as Peter Carl Fabergé and René Lalique, this movement possibly started in the late 19th century, and art began to take precedence over function and money. This pattern, extended by artists such as Robert Lee Morris and Ed Levin, has continued into modern times.